In the Grapes of Wrath Steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture camera moving quickly from one scene to another and from on
In the Grapes of Wrath Steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture camera moving quickly from one scene to another and from on
在《愤怒的葡萄》一书中，斯坦贝克不时打断故事的叙述，插进一些简练的、印象式的段落，取得有趣的对位衬托效果，仿佛是在用一架电影照相机作纪录似的，很快从一幕场景换为另一幕场景，从一个焦点转到另一个焦点。