The thesis looks into the inclusiveness of the literary theory of semiotics from the aspects of the formation, the characteristics and the sources of aesthetic signs.
The thesis looks into the inclusiveness of the literary theory of semiotics from the aspects of the formation, the characteristics and the sources of aesthetic signs.
摘要从审美符号的构成方式、审美符号的形式特征、审美符号的内容来源等三个方面论析了符号学文艺理论的包容性。