“while no lay audience discusses the bowing arm or stroke of the violinist or the palette or brush technique of the painter, or the tension which may create a poor entre-chat, they will all be willing to give formulas to the actor.
“while no lay audience discusses the bowing arm or stroke of the violinist or the palette or brush technique of the painter, or the tension which may create a poor entre-chat, they will all be willing to give formulas to the actor.
“从来没有一个外行的观众会讨论小提琴家拉弓和拨弦的技巧，或是画家调色和运笔的技术，也没有人担心小提琴家肌肉太紧张时，会制造‘杀鸡’的噪音。”