Li's cinematic spectacles simulate the visual spirit of Chinese landscape painting, which is derived from Taoist ideology about space and time.
Li's cinematic spectacles simulate the visual spirit of Chinese landscape painting, which is derived from Taoist ideology about space and time.
李翰祥导演在黄梅调电影中的电影美学是想模拟中国山水画的精神，而这个精神源自于中国道家对空间与时间的观念及看法。