At the crossing of the 21th century, the three famous authors in the contemporary literature field all selected the un-normal perspective narrate, the block-head young master in the A-lai's novel of the dust falling to the ground, the madman in Jia-pingwa
At the crossing of the 21th century, the three famous authors in the contemporary literature field all selected the un-normal perspective narrate, the block-head young master in the A-lai's novel of the dust falling to the ground, the madman in Jia-pingwa
摘要世纪之交，当代文坛颇具影响力的三位作家不谋而合地选择了非常态视角叙事，阿来《尘埃落定》中的傻子少爷，贾平凹《秦腔》中的疯子引生，史铁生《我的丁一之旅》中的行魂，这一叙事视角的选取既是对源自鲁迅《狂人日记》中“狂人”传统的承续，也是对西方、拉美等文学现代表现技巧的借鉴，更是新的历史条件下叙述面临困境时的创新努力。