It broke the situation that was controlled by the single aesthetics standard and became the pioneer of freehand brushwork with intellectuals in Tang Dynasty.
It broke the situation that was controlled by the single aesthetics standard and became the pioneer of freehand brushwork with intellectuals in Tang Dynasty.
它打破了以釉色装饰为主要审美标准的一统天下局面，同唐朝文人“逸品画家”一起开创了大写意中国画的先河。