Both the American and the Japanese film-makers treated these books as mines for names and a few concepts, taking bits and pieces out of context, and replacing the story/ies with an entirely different plot, lacking in coherence and consistency.
Both the American and the Japanese film-makers treated these books as mines for names and a few concepts, taking bits and pieces out of context, and replacing the story/ies with an entirely different plot, lacking in coherence and consistency.
美国和日本的制片者都将这些书的名字和某些观念视为我的，将某些片段抽离背景，再以一个缺乏连贯性和一致性的迥异情节来取代这个故事。