Therefore, the river novels about war first published in the Cultural Revolution could not bring an acceptable estate of high-spirited which the literature architect expected, but an acceptable estate of slumberous.
Therefore, the river novels about war first published in the Cultural Revolution could not bring an acceptable estate of high-spirited which the literature architect expected, but an acceptable estate of slumberous.
文革战争题材长篇小说的构思局限性所带来的不是文革文艺设计者所期待的振奋和昂扬的接受状态，而是一种被动、疲惫的审美状态。